Caricature of a Man, Full-Length, Facing Left

Provenance

Arthur Kay, Edinburgh; sold, Christie’s, London, April 9, 1943, Kay sale, lot 247. Possibly Arcade Gallery, London [according to Joachim and McCullagh 1979]. Sold by Koetser Gallery, New York, to the Art Institute, 1944.

Caricature of a Man, Full-Length, Facing Left

Giovanni Battista Tiepolo

1754/62

Accession Number

113293

Medium

Pen and brown ink, brush and brown wash, on ivory laid paper

Dimensions

22.4 × 14.9 cm (8 7/8 × 5 7/8 in.)

Classification

pen and ink drawings

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Samuel P. Avery Collection

Background & Context

Background Story

Giovanni Battista Tiepolo's "Caricature of a Man, Full-Length, Facing Left" (1754/62) is a pen and brown ink drawing with brush and brown wash on ivory laid paper. Tiepolo (1696–1770) was the greatest decorative painter of the 18th century and one of the most brilliant draftsmen of all time. His caricatures, produced throughout his career, show a lighter side of the artist known for his monumental ceiling frescoes. This caricature shows a man in full-length view, facing left, his features and proportions exaggerated for comic effect. The pen and ink technique is rapid and expressive, capturing the essence of the subject with a few economical strokes. The brown wash adds volume and atmosphere. Tiepolo's caricatures were private works, created for the amusement of his friends and family, and they reveal a sharp eye for human foibles and a generous sense of humor. These drawings circulated among artists and collectors and were highly prized for their wit and technical brilliance. This caricature, with its exaggerated features and elegant line, shows Tiepolo at his most playful.

Cultural Impact

Tiepolo's caricatures demonstrate the range of his artistic genius, showing that the master of the grandest decorative schemes was equally gifted in the most intimate and humorous graphic genres.

Why It Matters

This caricature captures the humor and humanity of Tiepolo's art, the exaggerated features and flowing line transforming a comic subject into a work of extraordinary grace and wit.