Accession Number
11529
Medium
Lithograph on off-white wove paper
Dimensions
Image: 25.5 × 32 cm (10 1/16 × 12 5/8 in.); Sheet: 31.3 × 41.2 cm (12 3/8 × 16 1/4 in.)
Classification
lithograph
Credit Line
Gift of Mr. John N. Estabrook
Background & Context
Background Story
"Island Hay" is a 1945 lithograph by Thomas Hart Benton that demonstrates the American Regionalist's engagement with the maritime and agricultural life of the coastal Northeast, the image showing the hay harvest on an island—probably Martha's Vineyard or another of the New England islands that Benton visited during his summer travels. The composition shows workers in the fields, the hay stacked or being cut, the island landscape providing a backdrop of dunes, sea, and sky that creates a distinctive regional atmosphere unlike the Midwestern scenes that made Benton famous. The lithograph technique creates the tonal contrasts that suggest the bright, clear light of the Atlantic coast, the off-white wove paper providing a warm ground that makes the black lines feel less harsh than they would on pure white. The 1945 date places this work in the same year as "Loading Corn" and other late wartime prints, suggesting that Benton was systematically documenting the regional diversity of American agricultural life during a period of national unity and international conflict. Art historians have connected this print to the broader tradition of American regional art, from the Hudson River School to the Precisionists, noting that Benton's treatment is more figurative, more focused on the human presence within the landscape than the pure landscape or industrial subjects of these predecessors. The work also demonstrates Benton's adaptability as a Regionalist: while his Missouri and Indiana subjects are the most celebrated, his engagement with New England coastal life shows the breadth of his interest in American regional diversity.
Cultural Impact
This 1945 lithograph documented Atlantic coastal island hay harvest through bright tonal contrast and warm off-white paper, making New England regional diversity visible alongside celebrated Midwestern Regionalism during wartime national unity.
Why It Matters
It matters because Benton painted hay on an island and made the salt air feel like part of the harvest—proving that even a small field by the sea could be America if the lines were bold enough.