Provenance
Annie Swan Coburn (1856-1932), Chicago, by Nov. 1932 [collection inventory in curatorial file]; given to the Art Institute of Chicago, 1933.
Accession Number
14757
Medium
Watercolor, with touches of gouache, over graphite, on cream wove paper
Dimensions
30.2 × 23.6 cm (11 15/16 × 9 5/16 in.)
Classification
watercolor
Credit Line
Olivia Shaler Swan Memorial Collection
Background & Context
Background Story
Edward Hopper's "Streetwalker" (1906/07) is a watercolor with touches of gouache over graphite on cream wove paper, created during Hopper's years in Paris. Hopper made three trips to Europe between 1906 and 1910, spending most of his time in Paris. The Parisian street scenes he painted during this period—including this depiction of a streetwalker, or prostitute—show him experimenting with the techniques of Impressionism while developing his own distinctive vision. The watercolor medium was unusual for Hopper, who worked primarily in oil, and this early work shows him mastering the demands of a medium that requires speed and decisiveness. The touches of gouache add opacity and weight to certain passages. The subject—a woman on the street, her profession suggested by her pose and location—reflects Hopper's engagement with the realities of urban life that would become a central theme of his mature work. The Paris watercolors are crucial documents of Hopper's formation, showing him absorbing the lessons of European art before returning to America to create his most celebrated works.
Cultural Impact
Hopper's Parisian watercolors document a formative period in his development, showing the young American artist engaging with European modernism before developing the mature style that would make him famous.
Why It Matters
This watercolor of a Parisian streetwalker shows the young Hopper finding his way as an artist, the watercolor technique and urban subject reflecting both his European influences and his emerging personal vision.