Provenance
Sold by Pietro Monaco, Venice, to Davide Antonio Fosati, Mar. 4, 1760 [inscription]. Galerie Pardo, Paris, 1963 [Cambridge, Mass. 1970]. Leo Franklyn, London, 1964 [Cambridge, Mass. 1970]. Sold by Charles E. Slatkin Galleries, New York, to the Art Institute, 1964.
Accession Number
20700
Medium
Pen and brown ink and brush and brown wash, with black chalk and traces of charcoal, heightened with touches of white gouache, on ivory laid paper
Dimensions
40 × 24.7 cm (15 3/4 × 9 3/4 in.)
Classification
pen and ink drawings
Credit Line
Helen Regenstein Collection
Background & Context
Background Story
Giovanni Battista Tiepolo's "The Temptation of Saint Anthony" (c. 1734) is a pen and brown ink and brush and brown wash drawing with black chalk and traces of charcoal, heightened with white gouache on ivory laid paper. The subject is the temptation of Saint Anthony the Great, the Egyptian hermit who was tormented by demonic visions during his solitude in the desert. The theme was a popular one in Baroque art, allowing artists to depict fantastic, grotesque creatures and dramatic psychological struggle. Tiepolo's treatment shows the saint surrounded by a host of demonic figures, their grotesque forms contrasting with his pious resistance. The pen and ink technique is extraordinarily expressive, the lines creating the writhing forms of the demons with manic energy. The brown wash adds depth and atmosphere, the white gouache highlights picking out details. The black chalk and charcoal provide a rich, dark ground. This drawing is one of Tiepolo's most dramatic works on paper, showing his ability to handle the most extreme subjects of the Baroque imagination with technical virtuosity and psychological insight.
Cultural Impact
Tiepolo's Temptation of Saint Anthony is a masterpiece of Baroque fantasy, demonstrating the artist's ability to create a world of demonic horror with the same technical brilliance he brought to his most serene religious works.
Why It Matters
This dramatic drawing of the temptation of Saint Anthony captures the psychological terror of the saint's ordeal, the writhing demons and expressive lines creating a vision of spiritual struggle that is both terrifying and magnificent.