Kostverloren Castle in Decay

Description

Rembrandt and his contemporaries shared a fascination with the Kostverloren estate, in part because of the successive misfortunes that its owners seemed to endure. Already by Rembrandt’s time it had taken on its name, which translates as “lost expenses” or, more colloquially, “money pit.” The site faced another setback when much of the castle was destroyed in a fire. After this damage—and before its eventual repair—Rembrandt entered the grounds of the castle and recorded its diminished state. His emphasis on decay is made clear by the felled tree in foreground; its strident horizontality sets off the faded majesty of the castle’s once-grand structures.

Provenance

King Friedrich August II of Saxony (1797–1854), Dresden [stamp (Lugt 971), recto, lower right, in black]; and by descent, to at least 1925 [Friese, Lilienfeld, and Wichmann 1925].  Willem J. R. Dreesmann (1885–1954), Amsterdam; sold, F. Muller & Co., Mar. 22–25, 1960, lot 26, to Richard Zinser, New York; sold to the Art Institute of Chicago, 1961.

Kostverloren Castle in Decay

Rembrandt van Rijn

c. 1652

Accession Number

12909

Medium

Pen and brown ink, with brush and brown wash, heightened with touches of opaque white watercolor, on cream laid paper

Dimensions

10.9 × 17.5 cm (4 5/16 × 6 15/16 in.)

Classification

pen and ink drawings

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Clarence Buckingham Collection

Background & Context

Background Story

Rembrandt van Rijns Kostverloren Castle in Decay from around 1652 is a pen and brown ink and brush and wash drawing heightened with opaque white watercolor on cream laid paper that depicts the ruins of a medieval castle near Amsterdam that was one of Rembrandts favorite landscape subjects. Kostverloren, a Dutch name meaning lost cost or squandered expense, refers to the castle of Ruige Woert near the village of Abcoude, whose ruins were a popular subject for Dutch artists who found in the decaying walls and overgrown grounds a natural vehicle for the themes of transience and the passage of time that were central to Dutch culture in the 17th century. Rembrandt, who produced several drawings and an etching of Kostverloren, approached the subject with the same tonal richness and atmospheric subtlety that characterize his landscape drawings of the 1650s, in which the specific topography of the Dutch countryside is rendered with the pictorial sophistication of a finished work of art rather than a topographic record. The pen and ink and wash medium, with its capacity for both Linear definition and atmospheric suggestion, allows Rembrandt to create a drawing in which the ruined walls of the castle are simultaneously a specific topographic subject and a vehicle for the exploration of light, atmosphere, and the passage of time. The opaque white watercolor highlights, applied to the cream laid paper to create the effect of sunlight falling on the ruined walls, demonstrate Rembrandts ability to use every technical resource available to him to create the effects of light and space that distinguish his best landscape drawings.

Cultural Impact

Rembrandts landscape drawings are among the most accomplished works in the history of Dutch landscape art, and Kostverloren Castle in Decay demonstrates the combination of topographic specificity and atmospheric subtlety that makes them significant. The drawing influenced the development of landscape drawing and the broader Dutch tradition of depicting architectural ruins as emblems of transience.

Why It Matters

A drawing by Rembrandt from around 1652 of Kostverloren Castle in decay, combining topographic specificity with atmospheric subtlety in pen and ink with brown wash and white watercolor highlights that capture sunlight on ruined walls as an emblem of transience in the Dutch landscape tradition.