Ship in Full Sail

Provenance

Recorded as from Kingston, New York. (Joseph Coty, city unknown), by whom sold in 1959 to Edgar William and Bernice Chrysler Garbisch; by bequest to NGA, 1980.

Ship in Full Sail

Davies, T.

1827

Accession Number

1980.62.1

Medium

oil on canvas

Dimensions

overall: 68 x 92.3 cm (26 3/4 x 36 5/16 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Edgar William and Bernice Chrysler Garbisch

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas American

Background & Context

Background Story

T. Davies was a British painter of the early 19th century whose painting Ship in Full Sail from 1827 depicts a sailing ship in the marine painting tradition that was one of the most popular types of British painting in the age of sail. The 1827 date places this in the period when Britain was the dominant naval power in the world, and marine painting—depicting ships and naval scenes—was one of the most important genres of British art. Ship in Full Sail shows the marine painting tradition at its most characteristic, combining the precise observation of rigging and sails with the atmospheric rendering of sea and sky that distinguish the best British marine painting.

Cultural Impact

Ship in Full Sail is important in the context of 19th-century British marine painting because it demonstrates the tradition that was one of the most popular and important genres of British art in the age of sail. British marine painting—combining the precise observation of ships with the atmospheric rendering of sea and sky—was enormously popular in a nation whose power depended on its navy and merchant fleet, and the 1827 painting shows this tradition at its most characteristic.

Why It Matters

Ship in Full Sail is a characteristic example of British marine painting in the age of sail: a ship rendered with the precise observation of rigging and sails combined with atmospheric sea and sky. The 1827 painting shows the marine painting tradition that was one of the most important genres of British art in a nation whose power depended on its navy.