Accession Number
58617
Medium
Watercolor and gouache, with colored chalks, over graphite, on cream wove paper, perimeter mounted to wood pulp board
Dimensions
53.2 × 39.5 cm (21 × 15 9/16 in.)
Classification
watercolor
Credit Line
Bequest of Florence S. McCormick
Background & Context
Background Story
"Angel Over a Table with Flowers" is a 1930/60 watercolor and gouache with colored chalks over graphite on cream wove paper by Marc Chagall that captures the Russian-French artist in his most enchantingly decorative and coloristically sumptuous mode, the image showing an angel hovering over a floral table rendered with the same floating grace and chromatic warmth that characterized his most idyllic visions. The composition is a large work—53.2 × 39.5 centimeters—showing an angel with flowers with the mixed media creating a surface of extraordinary delicacy and decorative richness. The colored chalks add a dimension of soft, powdery warmth that suggests both the physical presence of the flowers and the spiritual presence of the angel. The cream wove paper provides a warm, luminous ground that makes the mixed media appear rich and substantial. The extended 1930/60 date suggests a work that spans decades of the artist's career, reflecting his lifelong engagement with the themes of angels, flowers, and domestic bliss. Art historians have connected this work to the broader tradition of the decorative in modern art, from the paintings of Bonnard to the tapestries of the period, noting that Chagall's treatment is more focused on the coloristic warmth and the narrative tenderness, the transformation of domestic scene into paradise vision, than the formal analysis or the aesthetic abstraction of these other traditions.
Cultural Impact
This 1930/60 watercolor gouache chalks made angel flowers enchantingly decorative through large 53cm soft powdery mixed-media warmth and cream-paper luminous domestic spiritual richness, using decades-spanning engagement to transform table-with-flowers into paradise vision beyond Bonnard formal aesthetic abstraction.
Why It Matters
It matters because Chagall painted an angel over dinner and made the paper feel like it was dining in a garden where heaven and home are the same place—proving that even a table could be paradise if the colors were soft enough.