The Artist's Daughter with a Parakeet

Provenance

The sitter, Julie Manet [later Mme Ernest Rouart, 1879-1966], Paris, until at least 1929.[1] (Galerie Jacques Dubourg, Paris); sold 18 July 1952 to Chester Dale [1883-1962], New York; bequest 1963 to NGA. [1] According to a label on the back of the painting, the painting still belonged to Mme Rouart when it was lent to a 1929 exhibition at Bernheim-Jeune in Paris.

The Artist's Daughter with a Parakeet

Morisot, Berthe

1890

Accession Number

1963.10.50

Medium

oil on canvas

Dimensions

overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) | framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Chester Dale Collection

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas French Color: Orange

Background & Context

Background Story

The Artist Daughter with a Parakeet, painted in 1890, depicts Morisot daughter Julie with a pet parakeet perched on her hand. The painting belongs to Morisot late period, when her brushwork had achieved its greatest freedom and her color its greatest vibrancy. Julie Manet, Morisot only child, was the subject of some of her most tender and most formally ambitious paintings. Born in 1878, Julie grew up at the center of the Impressionist world: her godfather was Edouard Manet, her mother was Berthe Morisot, and her childhood was documented in paintings by Renoir and photographs by Nadar. Morisot paintings of Julie record both a mother love and a painter formal investigation. The painting most striking feature is its color. The cool blues and greens of the interior provide a setting for the vivid green of the parakeet and the warm flesh tones of Julie face and hands. Morisot late palette, influenced by the Neo-Impressionists, achieves a chromatic richness that rivals the most ambitious color painting of the 1890s. The rapid, feathery brushwork that was Morisot signature here reaches its极限 - each stroke a notation of perception so rapid that the painting seems to have been made in the time it takes to glance at a child.

Cultural Impact

Morisot paintings of Julie Manet are the most intimate documents of motherhood in Impressionist art and influenced the tradition of mother-and-child painting that extends through Cassatt to the present. Her combination of maternal tenderness and formal ambition demonstrated that domestic subject matter could sustain the most serious artistic investigation.

Why It Matters

This painting captures Morisot at her most spontaneous and most skillful: a mother painting her child with a pet, in a technique so rapid that it seems to have been done in a single breath. The parakeet, green and restless on Julie hand, is the perfect Morisot subject: a living thing, briefly still, about to fly.