Mrs. Henry Hill (Anna Barrett)

Description

In 2006 the Art Institute of Chicago was lucky enough to acquire John Singleton Copley's pastel Henry Hill (2006.83), the companion to Mrs. Henry Hill (Anna Barrett) which has been in the collection since 1959. Both pastels retain their original Rococo-style frames. They may have been carved by the Boston cratsman John Welch, who created many of Copley's Rococo frames, the type the artist used most frequently for his American portraits. The frame on Mrs. Henry Hill was gilded, as this was generally appropriate for the Rococo style; however, recent scholarship has revealed that a few Copley frames, like that of Henry Hill, were painted black. Thus, these portraits present two different ways that Copley's frames might have been finished.

Provenance

Mr. and Mrs. Henry Hill, Boston, about 1770 to 1828; by descent to Mr. and Mrs. Nathaniel Augustus Barrett, Boston, 1828 to 1868; (probably to) Sally Dorr Barrett, Boston, 1868 to 1883; by descent to Miss Sarah Dorr Barrett, Boston, 1883 to 1913; estate of Sarah Barrett, 1913 to 1915; Professor and Mrs. Barrett Wendell, Boston, 1915 to 1921; Mrs. Barrett Wendell, 1921 to unknown date; Mr. Barrett Wendell, Boston, by 1959; given to the Art Institute of Chicago, 1959.

Mrs. Henry Hill (Anna Barrett)

John Singleton Copley

c. 1765–70

Accession Number

11003

Medium

Pastel on paper mounted on linen

Dimensions

58.4 × 43.2 cm (23 × 17 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Barrett Wendell Jr.

Background & Context

Background Story

John Singleton Copley's Mrs. Henry Hill (Anna Barrett) (c. 1765-70) is a pastel on paper mounted on linen. Pastel was a medium that Copley used for some of his most refined portraits, the soft medium allowing for delicate effects of color and texture. This portrait of Anna Barrett, wife of Henry Hill, shows her with the elegance and refinement characteristic of Copley's female portraits. The pastel technique allows for subtle modulations of color that create a sense of softness and delicacy appropriate to the subject. The paper mounted on linen provides a stable support for the fragile pastel medium. The palette is warm and harmonious, with the flesh tones and the colors of the costume creating a unified effect. Copley's pastel portraits are less well-known than his oil paintings but equally accomplished, demonstrating his mastery of a demanding medium.

Cultural Impact

Copley's pastel portraits demonstrate his mastery of a medium that requires speed and confidence, capturing the elegance of his sitters with remarkable delicacy.

Why It Matters

This pastel portrait of Anna Barrett captures the elegance and refinement of its subject with remarkable delicacy, Copley's mastery of the pastel medium creating an image of softness and grace.