Choral Sea

Provenance

Mr. Martin A. Ryerson (1856–1932) and Mrs. Carrie Ryerson (1859–1937), Chicago, by 1932; bequeathed to the Art Institute of Chicago, 1933.

Choral Sea

Arthur B. Davies

1915

Accession Number

16662

Medium

Oil on canvas

Dimensions

45.1 × 100 cm (17 × 39 3/8 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Martin A. Ryerson Collection

Background & Context

Background Story

Arthur B. Davies's "Choral Sea" (1915) is an oil on canvas that exemplifies the artist's mystical approach to landscape. The title suggests a fusion of visual and auditory experience—the sea as a choir, its waves and currents singing in a cosmic harmony. Davies was deeply interested in the correspondences between the arts, particularly the relationship between painting and music, following the aesthetic tradition from Whistler to Kandinsky. The painting shows a seascape suffused with golden, atmospheric light, the water and sky merging in a continuum of subtle color. Small figures, nude and generalized, inhabit this luminous world, their presence suggesting the human soul's place within the larger harmonies of nature. The composition is carefully balanced, with the horizon line placed to create a sense of expansive calm. Davies's handling of oil paint in this work is thin and delicate, allowing the luminosity of the canvas to show through the translucent layers of color.

Cultural Impact

Davies's synesthetic approach—painting music and sounding color—aligned his work with the most advanced tendencies in European modernism while maintaining his own distinctive, poetic voice.

Why It Matters

"Choral Sea" captures Davies's vision of nature as a cosmic symphony, the luminous seascape becoming an image of universal harmony in which the human figure finds its place within a larger, musical order.