Mountains and Castelli

Provenance

Martin Ryerson (1856-1932), Chicago, by Jan. 1930 [insurance list of Jan. 1930]; given to the Art Institute of Chicago, 1933.

Mountains and Castelli

Arthur B. Davies

1920/28

Accession Number

16746

Medium

Watercolor and gouache, with graphite, on tan wove paper, prepared with a brown wash

Dimensions

19.3 × 28.1 cm (7 5/8 × 11 1/8 in.)

Classification

watercolor

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Martin A. Ryerson Collection

Background & Context

Background Story

Arthur B. Davies's "Mountains and Castelli" (1920/28) is a watercolor and gouache with graphite on tan wove paper prepared with a brown wash. The title suggests an Italian scene—Castelli is a town in the Abruzzo region known for its ceramics. Davies traveled extensively in Europe after the Armory Show, and his later watercolors document the landscapes he encountered with a new naturalism that modifies his earlier dreamlike symbolism. The prepared brown wash ground provides a unifying warmth, against which the watercolor and gouache build the forms of mountains, castles, and the Italian landscape. The touches of graphite add linear definition. The composition is more structured and observant than Davies's earlier visionary works, showing an artist who, late in his career, was still evolving and engaging with the direct experience of landscape.

Cultural Impact

Davies's European watercolors represent a significant late development in his art, showing a shift from symbolist vision to a more direct engagement with the landscape tradition.

Why It Matters

This watercolor captures the Italian landscape with a new naturalism, showing Davies's continued evolution as an artist even in his later years.