Curly Headed Man with a Wry Mouth

Curly Headed Man with a Wry Mouth

Ferdinand Bol

1630/80

Accession Number

49188

Medium

Etching on paper

Dimensions

Image/plate: 6.5 × 6.2 cm (2 9/16 × 2 1/2 in.); Sheet: 7.1 × 6.6 cm (2 13/16 × 2 5/8 in.)

Classification

etching

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

The Charles Deering Collection

Background & Context

Background Story

Ferdinand Bols Curly Headed Man with a Wry Mouth is a character study etching in the tradition of Rembrandts tronies, the Dutch term for heads or expressions that were studied for their own sake rather than as portraits of specific individuals. The title, which describes the sitters distinctive features with a directness characteristic of 17th-century Dutch artistic practice, identifies the subject as a study in physiognomy and expression rather than a commissioned portrait. The curly hair provides an opportunity for Bols to demonstrate his skill in rendering texture through etching, with fine parallel lines building up the volume and curl of the hair mass while broader hatching creates the shadows that give the face its three-dimensional presence. The wry mouth, twisted in an expression that combines amusement, skepticism, and mild deformity, is the focal point of the composition and reveals Bols interest in the expressive potential of the human face that he absorbed from his training in Rembrandts workshop. The date range 1630/80 encompasses Bols entire career, reflecting the uncertainty of dating in early etchings that may show the influence of Rembrandt at different stages. The etching medium, with its capacity for both the finest detail and the broadest shadow, allows Bol to create an image that is simultaneously a study in light and a study in character, two concerns that were inseparable in the Rembrandt school and in 17th-century Dutch art more broadly.

Cultural Impact

Bols character etchings extend the Rembrandt tradition of the tronie into a subsequent generation of Dutch printmaking, preserving the master's approach to physiognomic study while developing a distinct artistic personality. They demonstrate the vitality of the etching medium as a vehicle for character study in the Dutch Golden Age.

Why It Matters

A character study etching by Bol depicting an old man with curly hair and a wry expression, continuing the Rembrandt tradition of the tronie as a vehicle for studying physiognomy and expression while revealing the artists own approach to light, shadow, and human character.