Accession Number
93472
Medium
Graphite and watercolor on off-white wove paper
Dimensions
40.2 × 58.9 cm (15 7/8 × 23 1/4 in.)
Classification
graphite
Credit Line
Art Institute Purchase Fund
Background & Context
Background Story
This design for a window showing Saint George by John La Farge is an undated graphite and watercolor on off-white wove paper that demonstrates the American artist's engagement with the medieval revival and his mastery of the stained glass design process, the image showing the patron saint of England in a composition that suggests both the heraldic tradition and the painterly imagination. The composition is a medium-sized drawing—40.2 × 58.9 centimeters—showing Saint George in armor with the dragon rendered in a combination of graphite precision and watercolor luminosity that suggests both the architectural function of the design and the artistic ambition of the artist. The graphite provides the structural precision of the architectural drawing, while the watercolor adds the chromatic brilliance and the atmospheric depth that would characterize the finished stained glass. The off-white wove paper provides a neutral, sympathetic ground that makes both the graphite lines and the watercolor washes appear clear and luminous. Art historians have connected this design to the broader tradition of the medieval revival in American art, from the Gothic Revival architecture of the mid-nineteenth century to the Arts and Crafts movement of the turn of the century, noting that La Farge's treatment is more focused on the painterly quality and the chromatic richness, the transformation of medieval subject matter into a vehicle for modern artistic expression, than the archaeological accuracy or the moral symbolism of these other traditions.
Cultural Impact
This undated graphite-watercolor made Saint George design architecturally painterly through medium 40cm heraldic graphite precision and watercolor luminosity, using off-white paper to transform medieval revival into modern chromatic expression beyond Gothic Revival archaeological moralism.
Why It Matters
It matters because La Farge drew a knight and a dragon for a window and made the paper feel like it was already casting colored shadows—proving that even a saint could be a color if the design was bright enough.