Farewell Zorns (recto); Farewell Deerings (verso)

Farewell Zorns (recto); Farewell Deerings (verso)

Anders Zorn

1880/1920

Accession Number

113039

Medium

Pen and brown ink (recto and verso), on ivory laid paper

Dimensions

21.4 × 13.7 cm (8 7/16 × 5 7/16 in.)

Classification

pen and ink drawings

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

The Charles Deering Collection

Background & Context

Background Story

Anders Zorn's "Farewell Zorns (recto); Farewell Deerings (verso)" is a double-sided pen and brown ink drawing, likely created during a visit between the Zorn and Deering families. The Deerings were a prominent American family—Charles Deering (1852–1927) was a wealthy industrialist and art collector who became a close friend of Zorn's. The two families maintained a long friendship, and Zorn produced numerous works for the Deerings during his visits to America. The recto shows a farewell scene, perhaps at a railway station or port, with figures gesturing in leave-taking. Zorn's pen technique is remarkably expressive—he captures the emotion and bustle of departure with rapid, energetic strokes that create a sense of movement and feeling. The verso continues the theme with more figures. This drawing is historically valuable as a document of the social world of Gilded Age elite society, showing the close ties between European artists and American industrialists that characterized the international art market of the period.

Cultural Impact

Zorn's drawings of the Deering family document the close relationship between European artists and American patrons that fueled the Gilded Age art market and brought European artistic traditions to American collections.

Why It Matters

This double-sided drawing captures a personal moment of friendship between two families, transformed by Zorn's empathetic eye into a universally resonant scene of farewell and human connection.