Accession Number
129408
Medium
Etching on cream China paper
Dimensions
Image: 15.4 × 9.4 cm (6 1/8 × 3 3/4 in.); Plate: 17 × 11.5 cm (6 3/4 × 4 9/16 in.); Sheet: 23.4 × 16 cm (9 1/4 × 6 5/16 in.)
Classification
etching
Credit Line
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
Background & Context
Background Story
"Keying Up" is a c. 1885 etching on cream China paper by William Merritt Chase that captures the American Impressionist painter in his most technically refined and compositionally intimate mode, the image showing an interior scene rendered with the same attention to light, atmosphere, and elegant suggestion that characterized his most powerful etchings. The composition is a small etching—image 15.4 × 9.4 centimeters—showing an interior with figures with the fine, precise lines of etching on cream China paper creating a surface of extraordinary delicacy and tactile warmth. The cream China paper adds a dimension of luxury and refinement that suggests both the artistic ambition of the printmaker and the elegant taste of the American Gilded Age. The c. 1885 date places this work in the period of Chase's most intensive production of etchings and his engagement with the printmaking medium as a vehicle for artistic expression. Art historians have connected this print to the broader tradition of the interior scene in American art, from the paintings of Cassatt to the illustrations of the period, noting that Chase's treatment is more focused on the atmospheric effect and the elegant suggestion, the transformation of domestic observation into visual poetry, than the narrative content or the social commentary of these other traditions.
Cultural Impact
This c. 1885 etching made interior delicately elegant through small 15cm fine precise China-paper luxury and cream tactile refinement, using intensive Gilded Age printmaking to transform domestic atmosphere into visual poetry beyond Cassatt narrative social intimacy.
Why It Matters
It matters because Chase etched a room with people in it and made the paper feel like it was wrapped in velvet and lamplight—proving that even an interior could be a sigh if the China paper was fine enough.