The Salem Mechanick Light Infantry Quick Step

The Salem Mechanick Light Infantry Quick Step

Fitz Henry Lane

1836

Accession Number

129488

Medium

Lithograph on cream wove paper, folded

Dimensions

Sheet, folded: 33.7 × 26.2 cm (13 5/16 × 10 3/8 in.)

Classification

lithograph

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection

Background & Context

Background Story

Fitz Henry Lanes The Salem Mechanick Light Infantry Quick Step from 1836 is a lithographic sheet music cover depicting a military unit of the Massachusetts militia, created during the early years of Lanes career before he became the luminist marine painter for which he is now celebrated. The lithograph shows the Salem Mechanick Light Infantry in full dress uniform, marching in formation through a streetscape that Lane renders with the precision and topographic accuracy that would later characterize his paintings of Gloucester Harbor and the New England coast. Lane, who began his career as a lithographer in the firm of Pendletons in Boston, was one of the first American artists to master the lithographic medium, and his sheet music covers and commercial prints established the reputation that led to his later career as a painter. The Mechanick in the title refers to the mechanics and artisans who made up the infantry unit, a characteristic feature of American militia organizations in which trade guilds formed the basis for military companies. The Quick Step of the title refers both to the military march and to the musical composition that accompanied it, a reminder that this lithograph was produced as commercial ephemera, a functional object rather than a work of fine art. The cream wove paper, folded as issued, preserves the physical evidence of the prints original function as packaging for sheet music.

Cultural Impact

Lanes early lithographs are essential documents of American printmaking and of the visual culture of ante-bellum New England. They demonstrate that the luminist vision for which he is now celebrated was grounded in the topographic precision and commercial practice of the Boston lithographic trade, and they preserve images of Salem and Gloucester that are invaluable records of 19th-century urban and maritime life.

Why It Matters

An early lithographic sheet music cover by Lane depicting a Salem militia unit, demonstrating the topographic precision and commercial craft that grounded his later luminist marine paintings and preserving a visual record of ante-bellum Massachusetts militia culture.