Accession Number
146969
Medium
Watercolor on paper
Dimensions
76.2 × 57.2 cm (30 × 22 9/16 in.)
Classification
watercolor
Credit Line
Gift of Lannan Foundation
Background & Context
Background Story
"Linda Eye Series IV (Yellow)" is a 1977 watercolor by Chuck Close that serves as the companion to the other works in the "Linda Eye Series," the image showing the same eye detail rendered in yellow rather than magenta, the change of color creating a completely different emotional and optical effect that demonstrates the power of chromatic variation within a single structural composition. The composition is identical in structure to the other works in the series—the same eye, the same magnification, the same close-up detail—but the yellow transforms the image from the clinical intensity of the magenta to a warmer, more organic feeling, the color suggesting both the natural color of the iris and the artificial color of the printing process, the ambiguity of the hue creating a tension between nature and artifice. The watercolor technique creates the same fluid, transparent surface that characterizes the series, the medium allowing for subtle gradations of tone that suggest both the three-dimensional form of the eye and the flatness of the color field. The 1977 date places this work in the same period as the other "Linda Eye" watercolors, suggesting that Close conceived of the series as a systematic exploration of color variation, each hue offering a different perspective on the same subject. Art historians have compared this series to the serial works of Warhol and the color studies of Albers, noting that Close's treatment is more focused on the optical and physiological effects of color than the cultural or commercial associations of these contemporaries.
Cultural Impact
This 1977 companion watercolor made same-structure eye-detail chromatically transformative through warm organic yellow, using identical magnification with hue-variation to create nature-artifice tension distinct from Warhol's cultural seriality.
Why It Matters
It matters because Close painted the same eye in yellow and made it feel like a different person was looking back—proving that even the same gaze could change completely if the color was warm enough.