The Divers

Provenance

Sold by Perls Galleries, New York, to Dorothy Braude Edinburg, September 1962 [invoice]; given to the Art Institute, 1998.

The Divers

Fernand Léger

1942

Accession Number

150812

Medium

Graphite, with incising and erasing on tan wove paper, laid down on Japanese paper

Dimensions

50.8 × 33.8 cm (20 × 13 5/16 in.)

Classification

graphite

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection

Background & Context

Background Story

Fernand Léger's "The Divers" (1942) is a graphite drawing with incising and erasing on tan wove paper, laid down on Japanese paper, continuing the artist's exploration of the diving theme. Created in 1942, during Léger's second year of exile in America, this drawing shows further development of the subject. The graphite technique allows for greater subtlety and detail than the pen and ink of the related drawing from the previous year. The incising—scratching lines into the paper surface—adds texture and reveals the lighter paper beneath. The erasing technique creates highlights and areas of lighter tone. The tan wove paper provides a warm ground, and the laying down on Japanese paper suggests that this was considered a finished work. The composition shows multiple figures in various stages of diving, their bodies intertwined and overlapping in a dynamic, rhythmic pattern. The diving figures become abstract shapes, their forms creating a visual music of curves, angles, and intervals. This drawing demonstrates Léger's ability to transform a specific subject into a universal composition of form and movement.

Cultural Impact

Léger's graphite drawings of divers demonstrate the range of his draftsmanship, showing how he used the simplest medium to explore complex problems of movement, form, and composition.

Why It Matters

This graphite drawing of divers captures the rhythm of bodies in motion with remarkable subtlety, the incising and erasing techniques adding texture and depth to the flowing composition of interlocking figures.