Via Appia Antica

Provenance

Purchased, probably in Italy, by Mr. and Mrs. Philip G. Hodge, Washington, D.C., by mid 1950s;[1] gift 1984 to NGA. [1] According to letter of 2 December 1991 from Mr. Philip G. Hodge, Jr., in NGA curatorial files.

Via Appia Antica

De Chirico, Giorgio

c. 1945/1950

Accession Number

1984.52.1

Medium

oil on canvas

Dimensions

overall: 44.5 x 54.3 cm (17 1/2 x 21 3/8 in.) | framed: 57.6 x 67.3 cm (22 11/16 x 26 1/2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Mr. and Mrs. Philip Gibson Hodge

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas Italian

Background & Context

Background Story

Giorgio De Chirico (1888-1978) was an Italian painter who founded the Metaphysical painting movement (pittura metafisica) that profoundly influenced the Surrealists. Via Appia Antica from c. 1945-50 depicts the ancient Roman road in De Chirico's post-Metaphysical manner, which combined the stark perspectives and mysterious atmosphere of his earlier Metaphysical paintings with a more classical technique. The Via Appia Antica—the Appian Way—was one of the oldest and most historically resonant roads in Rome, and De Chirico's treatment combines the archaeological precision of Roman ruins with the mysterious atmosphere that defines all his work.

Cultural Impact

Via Appia Antica is important in De Chirico's post-Metaphysical period because it demonstrates how his mature work combined the mysterious atmosphere of the earlier Metaphysical paintings with a more classical technique. The Appian Way—the ancient Roman road—provided De Chirico with the archaeological subject that allowed him to combine the stark perspectives of his Metaphysical period with the classical technique and historical resonance of Roman ruins.

Why It Matters

Via Appia Antica is De Chirico's post-Metaphysical classicism: the ancient Roman road rendered with the stark perspectives and mysterious atmosphere of his Metaphysical paintings combined with a more classical technique. The c. 1945-50 painting shows De Chirico combining archaeological precision with the mysterious atmosphere that defines all his work.