At the beginning of his career, Lucas Samaras—who is often linked with the junk or assemblage artists of the late 1950s and early 1960s—transformed a large number of found and purchased boxes into glittering, fantastic, and often menacing objects. First conceived in 1962, Box #53 belongs to a group of custom-made, yarn-covered boxes that incorporate stuffed birds. When the box is opened, a tape measure audibly calculates the height of the nine-inch opening. Inside are four compartments, one of which features a crystal encrusted rock. Box #53 embodies a number of implied contrasts: nature’s brilliantly hued birds and the man-made, colored yarn; the container’s relatively modest interior and its flamboyant exterior; and the muted rock and noisy measuring device. “I’m never interested in ambiguous response,” the artist said. “Rather a positive negative . . . touch or not touch, the quality of seducing-repelling.”