Provenance
The artist; sold through Hauser & Wirth, New York, to the Art Institute of Chicago, Nov. 9, 2021
Accession Number
261470
Medium
Oil on linen
Dimensions
182.9 × 243.8 × 7.7 cm (72 × 96 × 3 in.)
Classification
Painting
Credit Line
Purchased with funds provided by Jason Laboz
Background & Context
Background Story
"Anxious Red Painting November 29th" is a 2020 oil on linen by Rashid Johnson that captures the contemporary American artist in his most monumentally urgent and chromatically intense mode, the image showing an abstract composition in anxious red rendered with the same attention to emotional intensity and material presence that characterized his entire mature practice. The composition is a very large canvas—182.9 × 243.8 × 7.7 centimeters—showing an abstract composition with the oil on linen creating a surface of extraordinary scale and emotional impact. The title suggests both the universal anxiety of the contemporary moment—the pandemic, the social unrest, the political uncertainty of 2020—and the specific date that marks it as a document of a particular day in history. The 2020 date places this work in the period of Johnson's most ambitious production and his establishment as one of the leading contemporary painters in America. Art historians have connected this work to the broader tradition of the red painting in modern art, from the works of Rothko to the installations of contemporary artists, noting that Johnson's treatment is more focused on the emotional urgency and the cultural specificity, the transformation of personal anxiety into collective testimony, than the chromatic harmony or the formal purity of these other traditions.
Cultural Impact
This 2020 oil linen made anxiety monumentally urgent through very large 182cm red abstract emotional intensity and 7.7cm material presence, using pandemic-era production to transform personal November-29th date-specific anxiety into collective contemporary cultural testimony beyond Rothko chromatic formal harmony purity.
Why It Matters
It matters because Johnson painted the color of anxiety on a canvas as big as a wall and made the linen feel like it was screaming for everyone who couldn't—proving that even a color could be a cry for help if the scale was honest enough.