Back of the Studio

Provenance

Estate of the artist; sold through Hirschl & Adler, New York, to Susanne Hilberry Gallery, Ferndale, MI, Aug. 7, 1981 [email from Hirschl & Adler, Sept. 21, 2022; copy in curatorial object file]. Sold through CompassRose Gallery Chicago, to Douglas Feurring, Boca Raton, FL, Apr. 13, 1990 [email from Betty Cunningham Gallery, Sept. 14, 2022; copy in curatorial object file]; sold through Betty Cunningham Gallery, New York, to the Art Institute of Chicago, Nov. 8, 2022.

Back of the Studio

Fairfield Porter

1975

Accession Number

266165

Medium

Oil on masonite

Dimensions

45.7 × 55.9 cm (18 × 22 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Through prior bequest of Ira Simon

Background & Context

Background Story

Fairfield Porter's "Back of the Studio" (1975) is an oil on masonite painting that exemplifies the artist's distinctive approach to figurative and landscape painting. Porter (1907–1975) was an American painter and critic known for his representational works that combined the influence of French modernism with the intimacy of the American domestic scene. Associated with the Boston School and the New York Figurative movement, Porter maintained a commitment to representation during the heyday of Abstract Expressionism. This painting shows the back of his studio—perhaps a view of the building from the garden, or the interior of the studio space. The oil on masonite technique gives the painting a smooth, hard surface. Porter's style is characterized by broad areas of flat color, loose brushwork, and a palette that is both naturalistic and subtly heightened. His paintings of his own domestic spaces and their surroundings are among his most characteristic works, recording the everyday life of an artist with a sensitivity that elevates the ordinary to the level of art. This was painted in the final year of Porter's life.

Cultural Impact

Porter was a leading figure in the revival of representational painting in America during the post-war period, demonstrating that figurative art could coexist with the modernist concerns of color, form, and surface.

Why It Matters

This view of the back of Porter's studio captures the intimacy of the artist's everyday surroundings, the loose brushwork and fresh palette transforming a familiar space into a meditation on light, color, and the places where art is made.