Approaching Storm

Description

This painting by Eugène Boudin, a Norman painter and Claude Monet’s teacher, exemplifies the artist’s signature style and subject matter in the 1860s. Monet would later follow Boudin’s practice of painting in the open air, the technique that gave this image of a beach for middle-class vacationers its vivid spontaneity and atmospheric light. This practice would be particularly important for Monet and his contemporaries, who came to be known as the Impressionists.

Eugène-Louis Boudin painted many beach scenes at the fashionable tourist spots of Trouville and Deauville in Normandy. In them we see the life of the Paris boulevards translated to the seashore. Bathing attire being still relatively rare, people wore the same clothes at the beach as they did in the city and made the same round of promenades, visits, and dinners. The huts on wheels are portable changing machines that were pulled into the water so that bathers could change without fear of exposure.

Provenance

Mrs. Meredith Hare (Elizabeth Sage Goodwin, later Elizabeth Sage Hare, died c. 1949) [according to AIC Bulletin 1939 she had acquired it at a New York Sale]. Maynard Walker Gallery, New York by 1938; purchased by the Art Institute, 1938 using Coburn funds [see minutes from meeting of the Committee on Painting and Sculpture, AIC, October 5, 1938].

Approaching Storm

Eugène Louis Boudin

1864

Accession Number

27764

Medium

Oil on cradled panel

Dimensions

36.3 × 57.9 cm (14 3/8 × 22 1/2 in.); Framed: 61.6 × 82.9 × 9.6 cm (24 1/4 × 32 5/8 × 3 3/4 in.)

Classification

oil on panel

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Lewis Larned Coburn Memorial Collection

Background & Context

Background Story

Eugène Boudin's "Approaching Storm" (1864) is an oil on cradled panel that captures the dramatic atmosphere of an oncoming storm over the sea. Boudin (1824–1898) was a French landscape painter who specialized in marine subjects and who is remembered as one of the precursors of Impressionism. He was the first French painter to paint the sky and sea directly from nature, working outdoors to capture the transient effects of light and weather. This painting shows the sky darkening as a storm approaches, the sea rising in response, the light fading from the scene. Boudin's handling is rapid and expressive, the paint applied in strokes that convey the movement of clouds and waves. The cradled panel provides a stable support that allowed Boudin to work outdoors. Boudin was a mentor to the young Claude Monet, who credited Boudin with opening his eyes to the importance of painting directly from nature. This painting, created in the same year that Boudin participated in the first Salon des Refusés, shows him at the height of his powers as a painter of the sea and sky.

Cultural Impact

Boudin was a crucial precursor to Impressionism, pioneering the practice of plein-air painting and training his eye to capture the transient effects of weather and light that would become the movement's central concern.

Why It Matters

This dramatic storm scene captures Boudin's genius for atmospheric effects, the darkening sky and rising sea rendered with the rapid, expressive touch that made him the teacher of Monet and the precursor of Impressionism.