Female Nude

Provenance

Albert Roullier Gallery, Chicago, by November 4, 1924 [Registrar’s Receipt # 1892 in curatorial file]; through Robert Allerton, Chicago, 1924; given to the Art Institute, 1924.

Female Nude

André Derain

n.d.

Accession Number

13795

Medium

Pen and black ink on ivory wove paper, partially discolored to cream

Dimensions

48.2 × 31.9 cm (19 × 12 9/16 in.)

Classification

pen and ink drawings

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Robert Allerton

Background & Context

Background Story

André Derain's "Female Nude" is a pen and black ink drawing on wove paper that demonstrates the artist's classical approach to the human figure. The body is rendered with flowing, continuous lines that emphasize volumes and contours. Derain's line here is notably different from the jagged strokes of his Fauvist period—it is smooth, considered, and deeply informed by his study of Old Master drawings. The influence of Ingres is evident in the purity of the contour; the influence of Renoir can be seen in the fullness of the forms. The pen and ink medium is unforgiving—every stroke is permanent, with no room for erasure. Derain's confidence speaks to his extraordinary draftsmanship. This likely dates from his later period, when he had fully embraced a more traditional approach to figure drawing and was producing works that consciously looked back to the great traditions of European draughtsmanship.

Cultural Impact

Derain's late figure drawings represent a deliberate rejection of avant-garde radicalism in favor of a renewed engagement with the classical tradition, a position that was both controversial and influential.

Why It Matters

This ink drawing reveals the classical foundation of Derain's art, showing his mastery of line and his commitment to the humanist tradition that underlay even his most radical experiments with color.