Bust of a Woman

Provenance

Sold by Paul Guillaume, Paris, to Mr. and Mrs. William N. Eisendrath, Jr., Glencoe, Ill., May 1929; given to the Art Institute, 1940.

Bust of a Woman

André Derain

c. 1924

Accession Number

39515

Medium

Red Conté crayon, with stumping on cream laid paper

Dimensions

60.6 × 49.3 cm (23 7/8 × 19 7/16 in.)

Classification

chalk

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Mr. and Mrs. William N. Eisendrath

Background & Context

Background Story

André Derain's "Bust of a Woman" (c. 1924) is a red Conté crayon drawing with stumping on cream laid paper. Red Conté crayon—a modern version of the sanguine favored by Renaissance and Baroque masters—allowed Derain to draw in the manner of the Old Masters while maintaining his own modernist sensibility. The stumping technique creates soft gradations of tone that give the drawing a painterly quality. The subject—a bust-length portrait of a woman in three-quarter view—is a classic format of Western portraiture. Derain's handling is confident and restrained, the contours firm but not rigid, the modeling achieved through subtle tonal variations. This drawing belongs to his classical period, when he was consciously modeling his drawing practice on the traditions of the past, yet the result is unmistakably his own.

Cultural Impact

Derain's Conté crayon drawings revive the tradition of Renaissance and Baroque draughtsmanship within a modernist context, demonstrating that classical technique and modern sensibility were not mutually exclusive.

Why It Matters

This red crayon drawing shows Derain at his most elegant, combining the technical discipline of the Old Masters with the simplified forms and psychological directness of modern portraiture.