The Golden Wall

Description

After studying in Paris among early Fauve and Cubist artists, and having an influential teaching career in Germany and the United States, Hans Hofmann began to devote himself exclusively to his own painting in 1958. Frustrated by the limits of linear perspective, he introduced his “push-and-pull” theory in order to create a more dynamic sense of space in his paintings, in which forms and colors appear to simultaneously advance and recede. In The Golden Wall, rectangles of varying sizes and colors direct the gaze across the picture. Some forms appear to float above the expressive brushstrokes that punctuate the work, while others are embedded in the background, providing the canvas with a lively sense of movement and dimension.

Provenance

Sold Samuel M. Kootz Gallery, New York, to the Art Institute, 1962.

The Golden Wall

Hans Hofmann

1961

Accession Number

15156

Medium

Oil on canvas

Dimensions

Unframed: 152.4 × 183.5 cm (60 × 72 1/4 in.); 152.4 × 183.6 cm (60 × 72 1/4 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Frank G. Logan Purchase Prize Fund

Background & Context

Background Story

Hans Hofmann's "The Golden Wall" (1961) is an oil on canvas from the late period of the artist's career, when his work had achieved a new level of monumentality and chromatic intensity. Hofmann was 81 years old when he painted this work, but his powers were undiminished. The title "The Golden Wall" suggests a surface of golden color that seems to glow from within. The painting is dominated by areas of rich, luminous color, perhaps including the gold of the title, arranged in a composition of asymmetrical balance. Hofmann's "push and pull" theory is fully realized here: the colors seem to advance and recede, creating a sense of pictorial space that is unique to his work. The paint is applied in varied thicknesses, with some areas thin and transparent and others thick and opaque. This painting belongs to the final phase of Hofmann's career, when he was widely recognized as one of the most important living American artists, and it shows him still exploring, still innovating, still pushing the possibilities of abstract painting.

Cultural Impact

Hofmann's late paintings represent the culmination of his lifelong investigation of color and form, achieving a synthesis of European modernist traditions and American abstract expressionism that is uniquely his own.

Why It Matters

This golden wall of color captures the late Hofmann at his most majestic, the luminous hues and dynamic composition creating a painting that seems to glow with its own inner light.