Manhattan Dawn

Provenance

The artist; by descent to his wife Julia Feininger (died 1970), New York, 1956; Pat and Theodore Lux Feininger, Cambridge, MA., by 1959 [San Francisco 1959]; Mr. and Mrs. Andreas Feininger, New York, by 1961 [Hess 1961]; given to the Art Institute of Chicago, Dec. 27, 1972.

Manhattan Dawn

Lyonel Feininger

1944

Accession Number

41441

Medium

Oil on canvas

Dimensions

Without frame: 89.3 × 71.5 cm (35 3/16 × 28 3/16 in.); 88.9 × 75.9 cm (35 × 29 7/8 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Mr. and Mrs. Andreas Feininger

Background & Context

Background Story

Lyonel Feininger's Manhattan Dawn (1944) is an oil on canvas from late in the artist's career, painted after he returned to the United States following the rise of the Nazi regime in Germany. The painting shows the New York skyline at dawn, the buildings rendered in Feininger's characteristic faceted, crystalline style. The composition is dominated by the vertical forms of skyscrapers, rendered in transparent planes of color that seem to glow with the light of early morning. The palette is cool and luminous, the forms dematerialized into a vision of the city as a structure of light and air.

Cultural Impact

Feininger's Manhattan paintings represent his response to the American city after his return from Germany, synthesizing his European modernist style with the subject of the American metropolis.

Why It Matters

This dawn view of Manhattan captures the city as a crystalline structure of light, Feininger's transparent planes and cool palette creating a vision of urban transcendence.