Accession Number
46165
Medium
Brush and gray ink and gray wash, with touches of graphite, on paper
Dimensions
26.5 × 20.6 cm (10 7/16 × 8 1/8 in.)
Classification
ink or chalk wash
Credit Line
The Charles Deering Collection
Background & Context
Background Story
Philippe de Champaignes Portrait of Louis XIII from around 1644 is a brush and gray ink and wash drawing with touches of graphite on paper that depicts the French king who ruled from 1610 to 1643 and whose reign saw the consolidation of royal power and the rise of French classicism in art and architecture. Champaigne, who was the court painter to Louis XIII and the greatest portraitist of the French Baroque, produced this drawing as a study for a painted portrait or as an independent work that records the kings likeness with the tonal sophistication and compositional discipline that distinguish his best work. The brush and gray wash medium, which was Champaignes preferred drawing technique for portrait studies, allows him to model the kings features with the sculptural three-dimensionality and tonal subtlety of an oil painting while retaining the immediacy and spontaneity of a drawing. The year 1644, the year after Louis XIIIs death, suggests that this drawing may have been made as a posthumous portrait, either from life studies that Champaigne had made during the kings lifetime or from memory, and the gravity and authority of the kings expression reflect the dignity that Champaigne brought to his official portraits. The graphite touches provide Linear definition in the features while the gray wash provides the tonal modeling that gives the drawing its pictorial completeness.
Cultural Impact
Champaignes portrait drawings are significant documents for understanding the development of French Baroque portraiture, and the Portrait of Louis XIII demonstrates the compositional discipline and tonal sophistication that made him the foremost portraitist of the French court. His drawings influenced the development of portrait drawing in France and the broader tradition of official portraiture.
Why It Matters
A brush and gray ink and wash drawing by Champaigne from around 1644 depicting Louis XIII, combining the compositional discipline of French classicism with the tonal sophistication and sculptural modeling of the foremost portraitist of the French Baroque court.