Study of Valet with Coffee Pot

Provenance

Louis-Pierre-Martin Norblin de la Gourdaine (died 1830), Paris [according to Slatkin invoice]; by descent to Madame la Baronne de Connantre (or Connaitre?) [according to Slatkin]; by descent to Baronne de Ruble [according to Slatkin]; by descent to Madame de Witte [according to Slatkin]; by descent to Marquise de Bryas [according to Slatkin]. M. Cailleux, Paris [according to Chicago 1974]. Sold by Charles E. Slatkin Gallery, New York, to the Art Institute, 1959.

Study of Valet with Coffee Pot

François Boucher

c. 1739

Accession Number

10053

Medium

Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper

Dimensions

34.6 × 19.5 cm (13 5/8 × 7 11/16 in.)

Classification

chalk

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Helen Regenstein Collection

Background & Context

Background Story

François Boucher's "Study of Valet with Coffee Pot" (c. 1739) is a red and black chalk drawing with touches of graphite, heightened with white chalk on buff laid paper. This study of a male servant (valet) holding a coffee pot is a working drawing, likely a preparatory study for a larger composition. The combination of red and black chalk is particularly effective: the red adds warmth to the flesh tones, while the black provides line and structure. The white heightening adds highlights that give the figure three-dimensionality. The buff laid paper provides a warm mid-tone. Boucher's attention to the details of the valet's costume and the coffee pot shows his characteristic care in rendering the material world. This study offers a glimpse into Boucher's working method, showing how he built his compositions from careful studies of individual figures and objects before integrating them into the final painting. The figure of the valet with a coffee pot suggests a domestic or social scene, perhaps depicting the morning routine of an aristocratic household.

Cultural Impact

Boucher's preparatory studies for individual figures demonstrate the careful planning that underlay his apparently effortless finished works, revealing the discipline behind the Rococo's decorative grace.

Why It Matters

This study of a valet with a coffee pot shows Boucher's working method at its most focused, the careful rendering of a single figure providing the foundation for a larger composition.