The Fisherboy

Provenance

Jean Francois Gigoux, Paris; sold, 1873. Marquis de Fourquevaulx, Paris; sold by Hôtel Drouot, Paris, April 18-20, 1876, lot 276. Sold by Wildenstein and Company, New York, to the Art Institute, 1960.

The Fisherboy

François Boucher

n.d.

Accession Number

11924

Medium

Black chalk with stumping, heightened with white gouache, on blue laid paper

Dimensions

30.2 × 44.4 cm (11 15/16 × 17 1/2 in.)

Classification

drawings (visual works)

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Helen Regenstein Collection

Background & Context

Background Story

François Boucher's "The Fisherboy" is a black chalk drawing with stumping, heightened with white gouache on blue laid paper. The subject of a young fisherboy was a popular motif in Rococo art, part of the broader pastoral tradition that idealized rural life. The fisherboy is shown in a landscape, perhaps with a fishing rod or net, his pose suggesting the leisurely pleasures of life by the water. The black chalk technique with white gouache highlights on blue paper creates a distinctive effect: the blue ground provides a cool, atmospheric tone that sets off the warmer blacks and whites of the figure. The stumping softens the chalk, creating areas of delicate tone. Boucher's treatment of the subject is characteristically graceful and idealized: the fisherboy is not a real working child but a charming figure from an imaginary pastoral world. This drawing belongs to the tradition of the fête galante, the depiction of elegant outdoor pleasures that was central to Rococo art.

Cultural Impact

Boucher's drawings of fisherboys and other rustic figures were part of the Rococo's broader pastoral fantasy, creating an idealized vision of rural life that appealed to aristocratic patrons.

Why It Matters

This drawing of a fisherboy captures the pastoral charm of Rococo art, the black and white on blue paper creating an atmospheric image of rural pleasure that is more fantasy than reality.