Study of a Draped Woman Leaning on a Pedestal

Description

In this powerful drawing, François Boucher’s model is so enveloped in yards of voluminous cloth that the fabric itself becomes the work’s subject and the drawing functions as an exercise in near abstraction. Boucher manipulated the black chalk to create outline and shadows, the white chalk to produce shimmering highlights, and the buff-colored paper to suggest flesh and give the fabric color and volume, in the process producing one of the finest drawings of 18th-century France.

The sheet may have served as the model for Cleopatra in the artist’s etched frontispiece opening an edition of Pierre Corneille’s tragedy Rodogune, Princess of Parthia.

Provenance

Possibly Étienne Maurice Falconet (1716–1791), Paris. Possibly Bourlamaque collection; sold, Pierre Remy, Paris, Mar. 27, 1770, lot 22. Sold, Hôtel Drouot, Paris, May 7–8, 1888, lot. 23. D.S. collection; sold, Hôtel Drouot, Paris, Dec. 17, 1924, lot. 125, to a private collection; sold, Artcurial, Paris, Nov. 13, 2013, lot 14. Sold by Eric Coatalem, Paris, to the Gray Collection Trust, Chicago, Mar. 29, 2016; given to the Art Institute of Chicago, 2019.

Study of a Draped Woman Leaning on a Pedestal

François Boucher

1759/61

Accession Number

244908

Medium

Black chalk, with stumping, and white chalk on buff laid paper, laid down onto thick modern laid paperboard

Dimensions

Primary support: 52.3 × 36 cm (20 5/8 × 14 3/16 in.); Secondary support: 54.5 × 38.7 cm (21 1/2 × 15 1/4 in.)

Classification

drawings (visual works)

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Richard and Mary L. Gray

Background & Context

Background Story

François Boucher's "Study of a Draped Woman Leaning on a Pedestal" (1759/61) is a black chalk drawing with stumping and white chalk on buff laid paper, laid down onto modern laid paperboard. This is a study for a figure in a larger composition, perhaps for one of Boucher's mythological or allegorical paintings. The woman is shown leaning on a pedestal, her body wrapped in drapery that falls in elegant folds. The black chalk technique with white chalk highlights on buff paper follows the classic method of drawing on tinted paper. The stumping creates soft transitions of tone. The pedestal suggests that the figure may be a personification or allegorical figure—perhaps Music, Poetry, or a similar subject. Boucher's treatment of the drapery is masterful, the fabric rendered with a sensitivity to its weight, texture, and the way it responds to the body beneath. The date range of 1759–61 places this study in Boucher's late mature period, when he was at the height of his fame and working on major commissions for the French court.

Cultural Impact

Boucher's drapery studies demonstrate his mastery of one of the most challenging subjects in academic art: the representation of fabric and its relationship to the human form.

Why It Matters

This study of a draped woman shows Boucher's extraordinary ability to render the fall of fabric, the black and white chalk on buff paper capturing the weight and flow of drapery with remarkable sensitivity.