The Dressing Room, Madame Hessel Reading at Amfreville

Provenance

Purchased from the artist by Bernheim-Jeune, Paris (stock no. 15701, as Le Cabinet de toilette), 18 Feb. 1907, 550 francs. Alexandre Natanson, Paris, 10 May 1907, 550 francs. Jos Hessel, Paris and Bernheim-Jeune, Paris, (stock no. 20145, as Portrait de Mme Hessel), 13 Jan. 1914, 2,000 francs. Thomas Justice & Sons, Dundee (Great Britain), 13 Oct. 1919, part of a lot. Alexander Duncan, Carnoustie (Great Britain). Arthur Tooth & Sons, London. Knoedler, New York, 1927. C. W. Kraushaar Art Galleries, New York. Mr. and Mrs. Worcester, Chicago, 30 Apr. 1938. Gift to the Art Institute of Chicago, 1947.

The Dressing Room, Madame Hessel Reading at Amfreville

Édouard Jean Vuillard

1906

Accession Number

59979

Medium

Oil and tempera on cardboard

Dimensions

49.5 × 63.2 cm (19 1/2 × 24 3/4 in.); Framed: 68.6 × 82 × 5.8 cm (27 × 32 1/4 × 2 1/4 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Charles H. and Mary F. S. Worcester Collection

Background & Context

Background Story

Édouard Vuillard's "The Dressing Room, Madame Hessel Reading at Amfreville" (1906) is an oil and tempera on cardboard painting that depicts one of Vuillard's most important patrons and friends. Madame Hessel was the wife of the art dealer Jos Hessel, and she appears frequently in Vuillard's work. The painting shows her in a dressing room—perhaps at the Hessels' country house at Amfreville—engaged in reading. The combination of oil and tempera on cardboard creates a distinctive matte surface. Vuillard's composition is characteristically intimate and enclosed, with the figure of Madame Hessel integrated into the pattern of wallpapers, fabrics, and furnishings that surround her. The act of reading was a favorite subject for Vuillard, allowing him to depict figures absorbed in a private world, their attention turned inward. The dressing room setting, with its mirrors and personal objects, adds to the sense of intimate access to the private life of the sitter. This painting belongs to the period when Vuillard was at the height of his powers, producing works that combined psychological penetration with decorative refinement.

Cultural Impact

Vuillard's portraits of Madame Hessel document one of the most sustained patron-artist relationships in early 20th-century French art, capturing a woman of taste and intelligence in the intimate spaces of her daily life.

Why It Matters

This painting of Madame Hessel reading in her dressing room captures Vuillard's genius for the intimate interior, the figure absorbed in her book becoming part of the rich tapestry of pattern and color that defines the space.