Nymphs Leaving the Bath

Nymphs Leaving the Bath

Jean Baptiste Camille Corot

1843

Accession Number

35149

Medium

Oil on canvas

Dimensions

82 × 69 cm (32 1/4 × 27 1/8 in.); Framed: 99.1 × 85.8 × 9.3 cm (39 × 33 3/4 × 3 5/8 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Dellora A. Norris

Background & Context

Background Story

Jean Baptiste Camille Corot's Nymphs Leaving the Bath (1843) is an oil on canvas from the middle period of Corot's career. The subject of nymphs bathing and emerging from water was a classic theme that allowed Corot to combine his interests in landscape and the human figure. The nymphs are shown at the water's edge, their bodies rendered with a softness that integrates them into the surrounding landscape. The treatment is characteristically Corot: the figures are not sharply defined but seem to emerge from and dissolve into the atmosphere. The palette is subdued, with the greens and browns of the landscape dominated by the soft flesh tones of the figures. This painting dates from 1843, before Corot had achieved the full maturity of his late style but already showing the distinctive qualities that would make him one of the most admired painters of the 19th century. The nymphs leaving the bath are figures of ideal beauty, inhabitants of a poetic world that Corot created through his art.

Cultural Impact

Corot's mythological figure paintings represent the idealist dimension of his art, creating a timeless world of beauty that existed alongside his more naturalistic landscapes.

Why It Matters

This painting of nymphs leaving the bath captures the ideal beauty of Corot's mythological world, the soft handling and gentle palette creating a vision of grace and innocence.