The Red Table

Provenance

Sold through Galerie l’Effort Moderne, Paris [inventory no. 6793] to Walter S. Brewster (1872–1954) and Kate Brewster (née Lancaster; c. 1879–1947), Chicago, Nov. 1928 [invoice, Nov. 1928, copy in curatorial file]; given to the Art Institute of Chicago, 1948.

The Red Table

Fernand Léger

1920

Accession Number

63979

Medium

Oil on canvas

Dimensions

54.1 × 65.1 cm (21 5/16 × 25 5/8 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Kate L. Brewster

Background & Context

Background Story

Fernand Léger's "The Red Table" (1920) is an oil on canvas from the period when Léger was developing his mature style. The title directs attention to the red table that dominates the composition—a bold, flat area of color that anchors the still life arrangement. On or around the table, objects are rendered in Léger's characteristic geometric style: bottles, glasses, perhaps fruits or other domestic objects, each one reduced to its essential cylindrical or spherical form. The bold red of the table provides the painting's central chromatic event, surrounded by other colors that complement and contrast with it. Léger's palette in this period was characterized by clear, strong colors applied in flat, unmodulated areas. The composition is dynamic, the objects arranged in a way that creates visual tension and movement across the canvas. "The Red Table" belongs to the period when Léger was consolidating his position as one of the leading avant-garde artists in Paris, developing the style that would make him internationally famous.

Cultural Impact

Léger's still lifes of the 1920s demonstrate his mastery of color and composition, using the traditional genre as a vehicle for radical formal innovation.

Why It Matters

This still life with a red table captures the boldness of Léger's post-war style, the flat areas of intense color and simplified geometric forms creating a composition of extraordinary visual energy.