Trees

Provenance

Albert Roullier Gallery, Chicago, by November 4, 1924 [Registrar’s Receipt # 1892 in curatorial file]; through Robert Allerton, Chicago, 1924; given to the Art Institute, 1924.

Trees

André Derain

n.d.

Accession Number

13775

Medium

Pen and black ink, with watercolor on ivory wove paper, discolored to cream

Dimensions

18.1 × 13.4 cm (7 3/16 × 5 5/16 in.)

Classification

pen and ink drawings

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Robert Allerton

Background & Context

Background Story

André Derain's "Trees" is a pen and black ink with watercolor drawing that captures his lifelong interest in the structure of trees and foliage. This drawing shows a grove of trees, their trunks and branches in black ink with watercolor touches suggesting foliage and atmosphere. The composition focuses on vertical rhythms and the interlacing patterns of branches, creating a decorative surface that is also a convincing representation of natural forms. The combination of ink for structure and watercolor for atmosphere shows Derain working in a tradition stretching from Claude Lorrain to J.M.W. Turner. But his treatment is distinctly modern in its simplification and its emphasis on the abstract patterns inherent in natural forms.

Cultural Impact

Derain's tree studies connect his work to the long tradition of landscape drawing in European art, while his modernist simplification points toward the greater abstractions of later 20th-century art.

Why It Matters

This ink and watercolor drawing reduces the complexity of a forest to its essential linear structure, finding both naturalistic truth and abstract beauty in the upward reach of branches.