Provenance
Aimé Maeght, Paris, after 1954 [Vogue 1954; Worms de Romilly 1959]. Florene May Schoenborn (1903–1995) and Samuel A. Marx (1885–1964), Chicago, from 1955 [New York 1965]; given to the Art Institute, 1997.
Accession Number
147657
Medium
Oil on paper, mounted on canvas
Dimensions
Sight: 179 × 71 cm (70 1/2 × 28 in.)
Classification
oil paintings (visual works)
Credit Line
Bequest of Florene May Schoenborn
Background & Context
Background Story
Georges Braque's "Ajax" (1949/54) is an oil on paper mounted on canvas, a late work from the final phase of Braque's long career. The title "Ajax" refers to the Greek hero of the Trojan War, but Braque's treatment is not a literal representation of the mythological figure. Instead, the painting uses the title as a starting point for a composition that evokes the spirit of classical antiquity through abstract forms and symbolic references. Braque had long been interested in classical themes, and his late works often incorporate references to Greek mythology, ancient art, and the Mediterranean tradition. The oil on paper mounted on canvas technique gives the painting a distinctive surface quality. The palette is rich and subdued, with earth tones and touches of brighter color. The composition is likely abstract but evocative, with forms that suggest fragments of classical sculpture, architectural elements, and the deep blue of the Mediterranean. This late work shows Braque's continued evolution as an artist into his seventies.
Cultural Impact
Braque's late mythological works represent the culmination of his lifelong engagement with the classical tradition, synthesizing the lessons of Cubism with a deeply personal vision of antiquity.
Why It Matters
This late painting, inspired by the Greek hero Ajax, shows Braque in his seventies still exploring new territory, the abstract forms and classical references creating a work that is both modern and timeless.