In the Wings

Description

In this backstage view of a Parisian opera house, ballerinas field advances from elegantly dressed male patrons, who approach them in pairs. The stoic dancer in the foreground, chin up and eyes downcast, absorbs the penetrating gaze of one large man while another looms just behind her, so close that his black top hat overlaps with her orange headdress. In 19th-century Paris, male abonnés (season ticket holders) had special access to a back room where they could socialize while watching the ballerinas warm up. Many took advantage of this privilege to sexually exploit the young dancers, who were well aware that their careers depended upon the good favor of this donor class.

Provenance

Durand-Ruel, Paris, by 1913 [Durand-Ruel stock book no. 3717]; sold to Martin A. Ryerson (died 1932), Chicago, for $1,200, November 29, 1913 [according to the receipt of sale from Durand-Ruel, copy in curatorial file]; bequeathed to the Art Institute, 1933.

In the Wings

Jean Louis Forain

1899

Accession Number

159770

Medium

Oil on canvas

Dimensions

60.5 × 73.8 cm (23 3/16 × 29 1/16 in.); Framed: 82.6 × 95.6 × 11.5 cm (32 1/2 × 37 5/8 × 4 1/2 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Martin A. Ryerson Collection

Background & Context

Background Story

Jean Louis Forain's In the Wings (1899) is an oil on canvas depicting the space behind the stage at a theater, with performers waiting in the wings. The wings are the areas at the sides of the stage where performers wait before their entrances, and Forain's painting captures the atmosphere of anticipation and preparation that characterizes this liminal space. The dancers or performers are shown in their costumes, perhaps adjusting their dresses or waiting nervously. Forain's technique is rapid and suggestive, the figures captured with broad strokes that convey their poses and the atmosphere of the backstage space. The palette is likely dominated by the warm colors of the theater lighting and the pastel tones of the dancers' costumes. Degas had famously painted ballet dancers both on stage and backstage, and Forain's work continues this tradition, finding beauty and interest in the spaces where performance is prepared.

Cultural Impact

Forain's theater scenes document the behind-the-scenes world of Parisian entertainment, capturing the moments of preparation and anticipation that precede the performance.

Why It Matters

This painting of performers in the wings captures the atmosphere of backstage anticipation, Forain's suggestive brushwork and warm palette conveying the magic and tension of the theater.