The Crucifixion

Description

In this crowded scene, traditional vignettes from the Crucifixion story surround the central figure of Jesus Christ on the cross. Jesus’s mother, the Virgin Mary, swoons amid a group of believers in the lower left corner. On the other side of the cross are Christ’s condemners and the cynics who rejected him, among them the soldiers who cast dice to divide up his clothing. Cranach was a good friend of the Protestant reformer Martin Luther, and though the Crucifixion was a subject more strongly associated with Catholics, Cranach included details that reinforce the Protestant emphasis on the power of faith and individual responsibility—for instance, the figure of the young boy learning from an older man at the foot of the central cross.

Provenance

Sir Fairfax Cartright (d. 1928), Aynho Park, Banbury [according to letter from Robert Langton Douglas to Charles Worces-ter, Nov. 25, 1928, in curatorial file]. Julius Böhler, Munich, 1928 [according to receipt and other records in the registrar’s office.]; sold to Charles H. Worcester, Chicago, Sept. 1928; on loan to the AIC from 1928; given to the AIC, 1947.

The Crucifixion

Lucas Cranach the Elder

1538

Accession Number

59856

Medium

Oil on panel

Dimensions

121.1 × 82.5 cm (47 3/4 × 32 1/2 in.); Framed: 147.4 × 109 × 7.7 cm (58 × 42 7/8 × 3 in.)

Classification

oil on panel

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Charles H. and Mary F. S. Worcester Collection

Background & Context

Background Story

Lucas Cranach the Elder's The Crucifixion (1538) is an oil on panel depicting the central event of Christian faith. Cranach's treatment reflects his involvement with the Lutheran Reformation, emphasizing the direct relationship between the believer and Christ's sacrifice. Christ is shown on the cross with expressive elongation.

Cultural Impact

Cranach's Crucifixions were key works of Reformation art, expressing Lutheran theology through traditional religious painting.

Why It Matters

This Crucifixion captures Cranach's Reformed vision, the elongated figure and restrained palette creating an image of focused devotion.