This is Nazi Brutality

This is Nazi Brutality

Ben Shahn

1942

Accession Number

194744

Medium

Offset lithograph

Dimensions

97.2 × 71.6 cm (38 5/16 × 28 1/4 in.)

Classification

offset lithograph

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. T. Stanton Armour Fund

Background & Context

Background Story

Ben Shahns This is Nazi Brutality from 1942 is one of the most iconic American propaganda posters of World War II, created for the Office of War Information and distributed in massive quantities across the United States. The poster depicts a hooded figure with clenched fists above the words THIS IS NAZI BRUTALITY, with the supplementary text describing the Lidice massacre, the destruction of a Czechoslovakian village and the murder of its male population in retaliation for the assassination of Reinhard Heydrich. Shahns design employs the simplified, graphic style he had developed as a WPA muralist and political artist, using bold outlines and stark contrasts to create an image that could be read at a distance and understood instantly. The hooded figure draws on medieval and inquisitorial imagery to suggest the terror of fascist occupation, while the clenched fists transform victimhood into resistance. Shahn was one of many artists recruited by the Office of War Information to produce visual propaganda, but few matched his ability to combine artistic sophistication with communicative directness. The offset lithograph format allowed for rapid and inexpensive production, making this image one of the most widely circulated artistic responses to Nazi atrocities during the war.

Cultural Impact

Shahns war posters demonstrated that visual propaganda could be both artistically accomplished and politically effective. His combination of social realist graphics with wartime messaging influenced the design vocabulary of political protest for the remainder of the 20th century, from civil rights posters to anti-war demonstrations.

Why It Matters

An iconic 1942 propaganda poster by Shahn depicting Nazi brutality and responding to the Lidice massacre, demonstrating the artists ability to combine graphic sophistication with political urgency in the service of wartime mobilization.