Breton Landscape

Description

Brittany, in northwestern France, was an important place to Verkade both artistically and spiritually. The artist was captivated by the terrain that differed so greatly from that of Amsterdam, inspiring a series of Breton landscapes. Verkade also converted to Catholicism during his travels to Brittany, shifting the trajectory of his art away from landscapes and toward a revival of religious painting and sacred art.

Provenance

Edouard Vuillard [1868-1940] Paris, France; Solomon Family Collection, Paris, France, by descent; (Galerie Hopkins, Paris, France, January 2010, sold to Nancy F. and Joseph P. Keithley) (2010); Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art (2010–2020); The Cleveland Museum of Art, Cleveland, OH (2020–)

Breton Landscape

Jan Verkade

1891–92

Accession Number

2020.117

Medium

oil on canvas

Dimensions

Unframed: 65.4 x 54.3 cm (25 3/4 x 21 3/8 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Nancy F. and Joseph P. Keithley Collection Gift

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas Dutch Color: Orange Color: Green

Background & Context

Background Story

Jan Verkade (1868-1946) was a Dutch painter known as one of the most important members of the Pont-Aven School and the Nabis, whose Symbolist landscapes make him one of the most distinctive painters of the late 19th-century French avant-garde. Breton Landscape from 1891-92 depicts the Brittany landscape in the Symbolist, boldly patterned manner that distinguishes Verkade's best work from the more naturalistic painting of his contemporaries. The 1891-92 date places this in Verkade's Pont-Aven period, when he was working alongside Paul Gauguin and the other members of the Pont-Aven School and developing the Symbolist manner that would make him one of the most distinctive painters of the Nabis.

Cultural Impact

Breton Landscape is important in the history of the Pont-Aven School and the Nabis because it demonstrates the Symbolist, boldly patterned manner that Verkade brought to landscape as one of the most distinctive painters of the late 19th-century French avant-garde. Verkade's Symbolist landscapes—combining the bold patterns of the Pont-Aven School with the Symbolist emphasis on spiritual meaning—represent one of the most distinctive traditions in late 19th-century French painting, and the 1891-92 painting shows this tradition in its earliest phase.

Why It Matters

Breton Landscape is Verkade's Symbolist Pont-Aven: the Brittany landscape rendered in the boldly patterned manner of one of the most distinctive painters of the Nabis. The 1891-92 painting shows the Pont-Aven influence and Symbolist approach that Verkade developed alongside Gauguin and the other members of the Pont-Aven School.