Down to the Harbor

Provenance

[]

Down to the Harbor

George G. Adomeit

1925

Accession Number

1925.801

Medium

oil on canvas

Dimensions

Framed: 101 x 111.8 cm (39 3/4 x 44 in.); Unframed: 91.5 x 101.6 cm (36 x 40 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of The Cleveland Art Association

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas American Color: Brown Color: White

Background & Context

Background Story

George G. Adomeit (1879-1967) was a Lithuanian-born American painter known for the boldly composed, colorful paintings of Cleveland subjects that make him one of the most important painters of the Cleveland School. Down to the Harbor from 1925 depicts a harbor scene in the boldly composed, colorful manner that distinguishes Adomeit's best work from the more conventional painting of his contemporaries. The 1925 date places this in Adomeit's most productive period, when he was producing the boldly composed, colorful paintings of Cleveland subjects that are his most accomplished works.

Cultural Impact

Down to the Harbor is important in the history of the Cleveland School because it demonstrates the boldly composed, colorful manner that Adomeit brought to Cleveland subjects as one of the most important painters of the Cleveland School. Adomeit's boldly composed, colorful paintings—depicting Cleveland subjects with the boldness and color of a modernist who knew the European avant-garde firsthand—represent one of the most distinctive traditions in Cleveland School painting, and the 1925 painting shows this tradition at its most boldly composed.

Why It Matters

Down to the Harbor is Adomeit's bold Cleveland School painting: a harbor scene rendered in the colorful manner of one of the most important painters of the Cleveland School. The 1925 painting shows the combination of bold composition with colorful modernism that makes Adomeit one of the most distinctive painters of the Cleveland School.