Orpheus

Description

Drawn in vivid layers of pastel crayon, this work depicts the head of the poet and musician Orpheus. The story of the god of music, whose music carried on after his death through his lyre and head, fascinated Redon, who related to Orpheus's dedication to his art. The subject also aligned with Redon's broader interest in dreams and spirituality around this time and he represented Orpheus several times throughout his career, in various media. Here, the god's head floats as if in stasis while Mount Parnassus—the home of Apollo and the Muses—soars from behind.

Provenance

purchased by Henri Matisse [1869–1954] for his father, Émile Hippolyte Matisse [1840–1910] (after 1903-1910); Wilhelm Uhde [1874-1947], Paris (? - by 1915); (Carroll Galleries, New York, sold to John Quinn, New York) (1915 - 1917); John Quinn [1870-1924], New York, purchased from his estate by the Cleveland Museum of Art through Joseph Brummer (1917-1924)

Orpheus

Odilon Redon

c. 1903–10

Accession Number

1926.25

Medium

pastel on brown paper

Dimensions

Sheet: 68.8 x 56.8 cm (27 1/16 x 22 3/8 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift from J. H. Wade

Tags

Color: Orange

Background & Context

Background Story

Odilon Redon's "Orpheus" (c. 1903–1910) is a luminous pastel on brown paper that reimagines the classical myth of the legendary musician and poet who descended into the underworld to retrieve his beloved Eurydice. Redon (1840–1916) was a French symbolist artist known for his dreamlike, fantastical imagery that explored the realms of imagination, mythology, and spirituality. After spending the first part of his career producing eerie black-and-white charcoal drawings and prints he called "noirs," Redon turned to color in the 1890s, creating radiant pastels and oil paintings suffused with jewel-like hues. In this late work, Orpheus appears as a floating, ethereal figure, his lyre glowing like a beacon against a swirling, abstracted background of blues, golds, and warm earth tones. Redon's pastel technique is extraordinary—he built up layers of soft color, blending and stippling to create a surface that seems to emit its own light. The subject of Orpheus resonated deeply with Redon's symbolist philosophy: music as the most spiritual of arts, capable of expressing the ineffable. The work transforms a tragic myth into a vision of transcendent beauty.

Cultural Impact

Redon's pastels represent a pivotal moment in the transition from 19th-century Symbolism to 20th-century modernism, influencing the Surrealists who saw in his dreamlike imagery a visual language for the unconscious mind.

Why It Matters

This radiant pastel exemplifies Redon's late-career transformation from master of shadow to master of color, using the Orpheus myth to explore the power of art to transcend earthly sorrow and reach toward the divine.