The Head of a Young Man Looking Upwards to the Right

Provenance

William Bateson, London (Lugt 2604a, lower left, in black ink); his sale [Sotheby's, London, 29 April, 1929, no. 112] (Knox, 1980, p. 212, no. M.23); [Thomas Agnew & Sons]

The Head of a Young Man Looking Upwards to the Right

Giovanni Battista Tiepolo

before 1752

Accession Number

1929.558

Medium

red chalk (with stumping) over black chalk, heightened with white chalk

Dimensions

Sheet: 22.2 x 15.3 cm (8 3/4 x 6 in.); Secondary Support: 22.2 x 15.3 cm (8 3/4 x 6 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

The Charles W. Harkness Endowment Fund

Tags

Color: Gray

Background & Context

Background Story

Giovanni Battista Tiepolo's "The Head of a Young Man Looking Upwards to the Right" (before 1752) is a virtuoso red chalk drawing, heightened with white chalk, over black chalk. This study captures a young man in a pose of rapt attention, his head tilted back and eyes directed heavenward—a gesture frequently used in Baroque and Rococo painting to convey divine inspiration, ecstasy, or spiritual revelation. Tiepolo (1696–1770) was one of the supreme draftsmen of the 18th century, and this drawing shows why. The red chalk (sanguine) medium allows for warm, lifelike flesh tones, while the white chalk highlights create a sense of illumination falling on the raised face. Tiepolo's handling of the chalk is extraordinarily assured—the features are suggested with economy, yet the effect is completely convincing. This is almost certainly a preparatory study for a figure in one of Tiepolo's vast ceiling frescoes or altarpieces, where upward-gazing figures were essential elements of the composition. Drawings like this one were the building blocks of Tiepolo's monumental art, each figure studied individually before being integrated into the grand ensemble.

Cultural Impact

Tiepolo's red chalk studies represent the culmination of the Venetian drawing tradition, combining the richness of Renaissance draftsmanship with the dynamism and theatricality of the Baroque.

Why It Matters

This drawing captures a fleeting expression of wonder with extraordinary technical economy, demonstrating Tiepolo's ability to invest even a preparatory study with the drama and emotion of his finished frescoes.