Description
While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God. The barren trees, therefore, signify Elizabeth’s
infertility, while the fencelike enclosure denotes the enclosed garden of virginity. The trees also remind viewers of Eve’s sin in the Garden of Eden. Jacopo de’ Barbari placed lively grapevines on the dying trees, a metaphor for Christ.
infertility, while the fencelike enclosure denotes the enclosed garden of virginity. The trees also remind viewers of Eve’s sin in the Garden of Eden. Jacopo de’ Barbari placed lively grapevines on the dying trees, a metaphor for Christ.
Provenance
(M. Knoedler & Co., Inc., New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH (?–1930); The Cleveland Museum of Art, Cleveland, OH (October 27, 1930–)
Accession Number
1930.575
Medium
engraving
Dimensions
Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)
Classification
Credit Line
Dudley P. Allen Fund