Woman and Two Children

Provenance

Mrs. John A. [Marianne Elizabeth Millikin] Hadden [1896–1992], Cleveland, OH, given to the Cleveland Museum of Art (?–1949); The Cleveland Museum of Art, Cleveland, OH (1949–)

Woman and Two Children

Kubo Shunman

early 1900s

Accession Number

1949.382

Medium

hanging scroll; color and gold on silk

Dimensions

Overall: 88 x 32.1 cm (34 5/8 x 12 5/8 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Mrs. John A. Hadden

Tags

Painting Impressionist & Modern (1851–1900) Silk Painting Gold Leaf Japanese

Background & Context

Background Story

Kubo Shunman (1757-1820) was a Japanese painter and print designer of the Edo period, known for his refined bijinga (pictures of beautiful women) and his kachoga (bird-and-flower paintings). Woman and Two Children is a hanging scroll in color and gold on silk depicting a woman with two children—a subject that combines Shunman's bijinga aesthetic with the domestic intimacy of a family group. The gold highlights on silk create the luminous background that distinguishes Edo-period hanging scrolls from less formal formats, and the refined brushwork and subtle color demonstrate the level of technical accomplishment that Shunman brought to both painting and print design.

Cultural Impact

Shunman's Woman and Two Children participates in the bijinga tradition of Edo-period painting while expanding it to include domestic subject matter. The combination of the bijinga aesthetic (the beautiful woman rendered with refined brushwork) with the domestic subject (a mother with her children) creates a hybrid that suggests the influence of the Ukiyo-e tradition's interest in everyday life on the more refined bijinga format.

Why It Matters

Woman and Two Children is Shunman's bijinga meeting domestic life: a beautiful woman rendered with refined brushwork and gold on silk, accompanied by two children who expand the bijinga tradition to include the family group. The gold highlights and silk format give the domestic subject the formality and luminosity of the bijinga tradition.