Crossing at Sano

Description

Like many paintings from the Sōtatsu studio, a Kyoto-based atelier that ran the shop Tawaraya, this one is done in ink, mineral colors, and gold, and is formally reminiscent of 12th- and 13th-century paintings associated with the Japanese aristocracy. It depicts a man on horseback with two attendants crossing a bridge that once spanned the Kino River in Sano in eastern Wakayama Prefecture. The composition was inspired by a poem by Fujiwara no Teika (1162–1241) that translates as follows:

I stop my horse, but there is no shelter
as I brush off my sleeves
at Sano Crossing
in the evening snow.

Provenance

(Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art) (?-1949); The Cleveland Museum of Art, Cleveland, OH (1949-)

Crossing at Sano

Tawaraya Sōtatsu

c. 1600–1640

Accession Number

1949.554

Medium

Hanging scroll mounted as a single-panel screen; ink, color, and gold on paper

Dimensions

Overall: 161.7 x 139.2 x 46.3 cm (63 11/16 x 54 13/16 x 18 1/4 in.); Diameter of base: 46.3 cm (18 1/4 in.); Painting only: 125.9 x 121.4 cm (49 9/16 x 47 13/16 in.); with frame: 151.9 x 130.1 x 3.2 cm (59 13/16 x 51 1/4 x 1 1/4 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

John L. Severance Fund

Tags

Painting Baroque (1600–1750) Ink Panel Painting Gold Leaf Paper Japanese

Background & Context

Background Story

Tawaraya Sotatsu (active c. 1600-1640) was a Japanese painter and designer known for the bold, decorative manner that makes him one of the most important painters of the early Edo period and the founder of the Rinpa school. Crossing at Sano depicts the famous poetic subject of the Sano crossing—a ferry crossing that was a well-known poetic location in Japanese waka poetry—in the bold, decorative manner that distinguishes Sotatsu's best work from the more conservative painting of his contemporaries. The c. 1600-1640 date places this in Sotatsu's most productive period, when he was producing the bold, decorative paintings that would found the Rinpa school.

Cultural Impact

Crossing at Sano is important in the history of Japanese painting because it demonstrates the bold, decorative manner that Sotatsu used to found the Rinpa school—one of the most important schools of Japanese painting. The Sano crossing was a famous poetic subject that Sotatsu treated in his distinctive bold manner, and the painting shows how Sotatsu transformed literary subjects into bold, decorative compositions that would define the Rinpa tradition for centuries.

Why It Matters

Crossing at Sano is Sotatsu founding the Rinpa school: the famous poetic ferry crossing rendered in the bold, decorative manner that would define one of the most important schools of Japanese painting. The c. 1600-40 painting transforms a literary subject into a bold decorative composition that founded the Rinpa tradition.