The Tric-Trac Players

Provenance

H. S. Olivier; C. F. Murray, London; Robiano, La Haye; A. W. M. Mensing, Amsterdam; Colnaghi, London; L. M. Backus, Seattle; Schaeffer Gallery, NY; Dr. S. E. Lee, Cleveland; Henry Stephen Olivier, Potterne Manor, Wiltshire (Lugt 1373, lower left, in blue ink). C. Fairfax Murray, London (according to Bolten, Dutch Drawings, 1967, p. 77, no. 42). Robiano, La Haye; (sold: Muller & Co., Amsterdam, 15-16 June, 1926, no. 391, repr.). A. W. M. Mensing, Amsterdam; (sale: Muller & Co., Amsterdam, 27-29 April, 1937, lot 297); [Colnaghi, London (according to departmental card and cataloguing sheet)]. Leroy M. Backus, Seattle (according to exhibition list, Palace of the Legion of Honor, San Francisco, 1941 in departmental file). [Schaeffer Gallery, NY (according to deparmental card and cataloguing sheet)]; Dr. Sherman E. Lee, Cleveland

The Tric-Trac Players

Philips de Koninck

c. 1660

Accession Number

1958.373

Medium

reed pen and brown ink (with brush and brown wash behind left figure); framing lines in brown ink

Dimensions

Sheet: 18.8 x 16.7 cm (7 3/8 x 6 9/16 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Dr. Sherman E. Lee in memory of his father, Emery H. I. Lee

Tags

Drawing Baroque (1600–1750) Ink Dutch Color: White

Background & Context

Background Story

Philips de Koninck (1619-1688) was a Dutch painter known for his panoramic landscape views that are among the most accomplished in the Dutch Golden Age tradition. The Tric-Trac Players from c. 1660 depicts figures playing tric-trac (backgammon) in the rustic, narrative manner that distinguishes Koninck's best genre subjects from the more panoramic landscape views that are his most famous works. The c. 1660 date places this in Koninck's mature period, when he was producing both the panoramic landscape views and the rustic genre subjects that make him one of the most versatile painters of the Dutch Golden Age.

Cultural Impact

The Tric-Trac Players is important in Koninck's oeuvre because it demonstrates the rustic, narrative manner that he brought to genre subjects in addition to his more famous panoramic landscapes. Koninck's genre subjects—combining rustic observation with narrative skill—represent an important aspect of his work that is often overlooked in favor of his panoramic landscapes, and The Tric-Trac Players shows his versatility as a Dutch Golden Age painter.

Why It Matters

The Tric-Trac Players is Koninck's rustic genre manner: figures playing backgammon rendered in the narrative manner that complements his more famous panoramic landscape views. The c. 1660 painting shows the versatility of a Dutch Golden Age painter who is primarily known for landscapes but was equally accomplished at rustic genre subjects.