Susanne (The Artist's Daughter at the Age of Twenty-One)

Provenance

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Susanne (The Artist's Daughter at the Age of Twenty-One)

Daniel Chodowiecki

1782

Accession Number

1959.84

Medium

pen and black ink, watercolor and gouache over graphite

Dimensions

Sheet: 11 x 18.4 cm (4 5/16 x 7 1/4 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Mr. and Mrs. Lewis B. Williams Collection

Tags

Drawing Neoclassical & Romantic (1751–1850) Watercolor Ink Graphite & Pencil Gouache German Color: Brown

Background & Context

Background Story

Daniel Chodowiecki (1726-1801) was a Polish-German painter and printmaker known for his detailed etchings and drawings of Berlin social life that make him one of the most important chroniclers of the German Enlightenment. The portrait of his daughter Susanne from 1782 depicts the twenty-one-year-old in the refined, detailed manner that distinguishes Chodowiecki's best portraiture from the more formal portrait tradition of his contemporaries. The 1782 date places this in Chodowiecki's mature period, when he was producing both the detailed etchings of Berlin social life and the refined portraits that are his most accomplished works.

Cultural Impact

The portrait of Susanne is important in the history of German Enlightenment painting because it demonstrates the refined, detailed manner that Chodowiecki brought to portraiture as the most important chronicler of Berlin social life. Chodowiecki's portraits—combining the detailed observation of his etchings with the refined manner of portrait painting—represent the German Enlightenment at its most refined and observant, and the portrait of his daughter shows this combination in its most intimate form.

Why It Matters

Portrait of Susanne is Chodowiecki's refined Enlightenment portraiture: the artist's twenty-one-year-old daughter rendered in the detailed, observant manner of Berlin's most important chronicler. The 1782 portrait combines the detailed observation of the printmaker with the refined manner of the portrait painter in its most intimate form.