Christ and the Virgin in the House at Nazareth

Description

Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation because they were easily understood by a broad public. Rather than taking a story from the Bible, Zurbarán appears to have invented this subject, in which Jesus pricks himself on a crown of thorns he is weaving, foretelling his later torment at the Crucifixion. Despite the grand scale and monumental figures, the work has remarkable intimacy and quietness, emphasizing such details as the Virgin’s tears.

Provenance

The Cleveland Museum of Art, Cleveland, Ohio (1960-); (François Heim, Paris, sold to the Cleveland Museum of Art) (1960); Various private collections in France (Ater 1821-1960); (Probably Walterstorff sale, Laneuville, Paris, March 26-27, 1821, no. 65, sold to Laneuville)1 (1821); Probably the Count of Walterstorff [1755-1820]1 (Until 1920)

Christ and the Virgin in the House at Nazareth

Francisco de Zurbarán

c. 1640

Accession Number

1960.117

Medium

oil on canvas

Dimensions

Framed: 201 x 256 x 10 cm (79 1/8 x 100 13/16 x 3 15/16 in.); Unframed: 165 x 218.2 cm (64 15/16 x 85 7/8 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Leonard C. Hanna Jr. Fund

Tags

Painting Baroque (1600–1750) Oil Painting Canvas Spanish

Background & Context

Background Story

Francisco de Zurbaran (1598-1664) was a Spanish painter known for the austere, mystical manner that makes him the most accomplished painter of the Spanish Baroque religious tradition. Christ and the Virgin in the House at Nazareth from c. 1640 depicts the Holy Family in the house at Nazareth in the austere, mystical manner that distinguishes Zurbaran's best religious paintings from the more dramatic work of his contemporaries. The c. 1640 date places this in Zurbaran's most productive period, when he was producing the austere, mystical religious paintings that are his most accomplished works.

Cultural Impact

Christ and the Virgin in the House at Nazareth is important in the history of Spanish painting because it demonstrates the austere, mystical manner that Zurbaran brought to religious subjects as the most important painter of the Spanish Baroque religious tradition. Zurbaran's mystical manner—combining austere composition with intense spiritual presence—represents the most accomplished tradition of Spanish religious painting, and the Holy Family subject shows this manner at its most intimate.

Why It Matters

Christ and the Virgin in the House at Nazareth is Zurbaran's mystical Spanish Baroque: the Holy Family rendered in the austere, spiritual manner that makes him the most important painter of the Spanish religious tradition. The c. 1640 painting shows Zurbaran's combination of austere composition with intense spiritual presence at its most intimate.