Romulus and Remus Found by Faustulus (recto)

Provenance

[Kurt Meissner]

Romulus and Remus Found by Faustulus (recto)

Romanino

c. 1535

Accession Number

1963.87.a

Medium

pen and brown ink, with point of brush and brown wash over black chalk (traces of red chalk and purple wash unrelated to composition)

Dimensions

Sheet: 16.3 x 24.8 cm (6 7/16 x 9 3/4 in.); Secondary Support: 23.6 x 31 cm (9 5/16 x 12 3/16 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Dudley P. Allen Fund

Tags

Drawing Renaissance (1400–1599) Ink Italian Color: White

Background & Context

Background Story

Romanino (c. 1484-1566), born Girolamo Romani, was a Brescian painter known for the expressive, naturalistic manner that makes him one of the most important painters of the High Renaissance in Brescia. Romulus and Remus Found by Faustulus from c. 1535 depicts the legendary episode in which the shepherd Faustulus discovers the twin founders of Rome in the expressive, naturalistic manner that distinguishes Romanino's best history paintings from the more classical manner of his Venetian contemporaries. The c. 1535 date places this in Romanino's mature period, when he was producing the expressive history paintings that are his most accomplished works.

Cultural Impact

Romulus and Remus Found by Faustulus is important in the history of Brescian painting because it demonstrates the expressive, naturalistic manner that Romanino brought to history subjects as the most important painter of the High Renaissance in Brescia. Romanino's history paintings—combining expressive naturalism with compositional grandeur—represent an important alternative to the more classical tradition of Venetian painting, and the Romulus and Remus subject shows this alternative at its most accomplished.

Why It Matters

Romulus and Remus Found by Faustulus is Romanino's expressive Brescian manner: the legendary founding of Rome rendered in the naturalistic, expressive style that distinguishes the most important painter of the High Renaissance in Brescia. The c. 1535 painting shows an alternative to the Venetian classical tradition.